Pickup on South Street (1953)

"Samuel Fuller wrote the script (adapted from Dwight Taylor's story written for the screen) and directed, in his fast, flashy, essentially empty-minded style.... It isn't that Fuller's insensitive, exactly; it's that he's totally unconcerned with sensitivity--it would get in his way." - Pauline Kael

This movie had quite a slow beginning. The characters failed to capture my interest, as did the mysterious microfilm. As a result, I found myself disengaged and stopped watching about an hour in.



You should not watch Pickup on South Street (1953) if...

• You are under the age of 13, as the movie contains material that may not be suitable for children.
• You do not enjoy crime or noir films.
• You prefer films with modern visual effects and production values.
• You are not a fan of historical or period pieces.
• You do not enjoy films that involve violence or criminal activities.

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Buffs of "Pickup on South Street" (1953) will appreciate "Citizen Kane" (1941) due to both films' innovative storytelling, complex characters, and exploration of themes like power, corruption, and redemption. Like "Pickup on South Street," "Citizen Kane" uses non-linear narrative and flashbacks to present its story, while its cinematography and visual style, which involve deep focus, low-angle shots, and dramatic lighting, parallel the gritty, noir-inspired aesthetic of "Pickup on South Street". Both films also boast strong performances from their respective casts and are considered iconic examples of their genres, making "Citizen Kane" a worthy watch for fans of "Pickup on South Street".

The Third Man (1949)

Enthusiasts of "Pickup on South Street" (1953) will also love "The Third Man" (1949) because both films are classic noir thrillers that express a cynical view of post-war society. They share gritty, atmospheric settings - New York and post-war Vienna - and complex characters caught in a web of deceit, crime, and moral ambiguity. Both films depict a world where traditional values seem obsolete, and survival depends on cunning and opportunism. The exceptional cinematography, intriguing plots, and intense performances in both films will certainly captivate lovers of classic film noir.

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"Pickup on South Street" (1953) and "The Night of the Hunter" (1955) are classic films noir that deeply explore the dark side of human nature, showcasing morally complex characters and intricate plotlines. They both involve crime, suspense, and mystery, with stunning cinematography that captures the gritty, atmospheric essence of the noir genre. Fans will appreciate the sharp dialogue, the unique narrative styles, the creative camera work, and the stellar performances by leading actors in both films. These films are essential viewing for those who appreciate the intricate storytelling and stylistic elements of film noir.

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Lovers of "Pickup on South Street" (1953) will enjoy "Touch of Evil" (1958) due to both films' compelling exploration of crime, corruption, and moral ambiguity, brought to life by their gritty, noir-style storytelling. These films share a similar atmosphere, filled with suspense and complex characters, and feature masterful direction by two of the era's most respected directors, Samuel Fuller and Orson Welles respectively. Like "Pickup on South Street," "Touch of Evil" also presents a dark and cynical view of society, further enhanced by its innovative cinematography and powerful performances.

Vertigo (1958)

Both "Pickup on South Street" (1953) and "Vertigo" (1958) are classic film noir masterpieces that delve into themes of deception, obsession, and intrigue. They are both characterized by complex characters, intense performances, and stylish cinematography. Sam Fuller's "Pickup on South Street" features a pickpocket unknowingly stealing a piece of top-secret microfilm, while Hitchcock's "Vertigo" explores a retired detective's obsessive pursuit of a woman who seems to possess a dual identity. If you appreciate the tense atmosphere, the intricate plot twists, and the psychological depth of "Pickup on South Street," you will likely enjoy the suspenseful narrative and the haunting exploration of identity and obsession in Vertigo.

North by Northwest (1959)

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Psycho (1960)

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Those who appreciate "Pickup on South Street" (1953) will likely also love "The Manchurian Candidate" (1962) due to the films' shared noirish atmosphere, complex characters, and searing political commentary. Both movies are suspenseful Cold War era thrillers that delve into themes of loyalty, betrayal, and deception. Their gritty cinematography and clever storytelling, coupled with standout performances (Richard Widmark in "Pickup on South Street" and Frank Sinatra in The Manchurian Candidate) make these films captivating for fans of classic cinema and provocative political narratives.

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Devotees of "Pickup on South Street" (1953) will likely appreciate "Taxi Driver" (1976) due to both films' gritty and realistic portrayal of urban life, featuring morally ambiguous protagonists navigating through the underbelly of society. Just as "Pickup on South Street" explores themes of patriotism, crime, and redemption within the context of post-war New York, "Taxi Driver" delves into the psyche of a disillusioned taxi driver in the seedy streets of 1970s New York City, offering a similarly dark exploration of alienation, violence, and the desire for redemption. Both films, directed by master filmmakers Samuel Fuller and Martin Scorsese respectively, are renowned for their stylish cinematography, complex characters, and compelling narratives, making "Taxi Driver" an excellent recommendation for fans of Pickup on South Street.

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Kiss Me Deadly (1955):

An iconic entry in the film-noir genre, directed by Robert Aldrich. When a private investigator gets involved with a mysterious woman, he finds himself embroiled in a far-reaching conspiracy. This film’s pervasive sense of danger and paranoia should appeal to any fan of "Pickup on South Street".

The Killing (1956):

Directed by Stanley Kubrick, this well-crafted crime thriller tells the story of a group of criminals who plan and execute a racetrack robbery. It’s a suspense-filled ride, featuring Kubrick’s trademark stylized direction and stunning cinematography.

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